Grey [Snowpiercer] (
silenttrainbaby) wrote2014-09-28 03:34 pm
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Entry tags:
for Rat
It isn't as if Grey has found a sense of peace in the two days since he's seen Rat. He hasn't found the solution, an answer to his existential crisis. But he remembers where Rat lives. And, carrying the cat once again, he finds his way to the building and to the door and he taps his fingers against it. There were flowers on the side of the walk as he'd come here and he plucked them and they are already starting to wilt, even as the cat tries to eat them. Silly cat.
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"Here." He passes over a glass of water.
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"You okay?" He doesn't know what else to ask, to say.
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ROMEO
101 Have not saints lips, and holy palmers too?
JULIET
102 Ay, pilgrim, lips that they must use in prayer.
ROMEO
103 O, then, dear saint, let lips do what hands do;
104 They pray — grant thou, lest faith turn to despair.
The words seem nearly foreign.
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"Ay me! O Romeo, Romeo! Wherefore art thou Romeo? Deny thy father and refuse thy name. Or, if thou wilt not, be but sworn my love, and I’ll no longer be a Capulet." His voice is soft, heavy with the ache of love and conflicted emotion.
"'Tis but thy name that is my enemy."
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Grey shifts easier, settling on the chair to watch. He shifts the cat against his chest, urging claws to be put away.
Love. Is it that strong?
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"Thou art thyself, though not a Montague. What’s Montague? It is nor hand, nor foot, Nor arm, nor face, nor any other part belonging to a man. O, be some other name!" he pleads as Juliet.
"What’s in a name? That which we call a rose by any other word would smell as sweet. So Romeo would, were he not Romeo called, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, and for that name, which is no part of thee take all myself."
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Coming together, anew ... is that what this means?
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A different kind? He raises his head to Rat. Please keep going.
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Playing Romeo, the male role, is somehow odder for him. The only men's parts he's taken are Mercutio, Puck, and Ariel and often then he plays them from a place between genders.
"What man art thou that, thus bescreened in night, so stumblest on my counsel?" he skips Romeo's next lines, continuing as the lady. "My ears have not yet drunk a hundred words of that tongue’s uttering, yet I know the sound. Art thou not Romeo, and a Montague?"
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Hope. Love, connected to hope. Oh, Grey feels something lurch in his chest. He's leaning forward now. Love can make someone know what they are. Who they are.
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"What?"
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"I don't always know that I believe they're in love, not really...When I'm Juliet onstage, I play it that way..."
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"I don't think real love is so thoughtless."
Hypocrite.
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When Gilliam told him to go forward, Grey went. It was what he did. That wasn't thoughtless.
Grey touches Rat's fingers. What does Rat think love is, then?
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"Love is blissful. And painful," he says quietly. "And losing it is the worst of all."
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That's worse than losing it. Seeing the one you love die is like dying yourself.
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Then he chose to walk away.
"It makes you realize everything you've ever done to hurt them...Things you can never take back or make up."
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Yes, Grey knows that. And he's missed touch so much. Living with Curtis isn't the same.
Grey covers Rat's hand with his casted one on his arm.
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"Yeah."
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